A Tribute to Ernst Zündel, The Truth Warrior

 

Anti-Christian material from the SS-Panzer Division Hitlerjugend

"Christianity means being willing to break the closest bonds of family and clan for Jesus Christ."

________________________________

The ideological instructive material for SS recruits provides Bullet Points of each corresponding Christian doctrine and cites the Bible to justify it. Here's what the material says about the teaching of Christianity:

«The sin of another redeems from guilt.  

The weak, the foolish, and the ignoble have chosen the strong and the noble to destroy.  

Woman is the source of all evil in the world.  

Love your enemies.  

Christianity means being willing to break the closest bonds of family and clan for Jesus Christ.  

Judge not, or you too will be judged.  

Cast all your anxiety on him because he cares for you.  

A God who dwells outside the world answers the Christian's question: "What must I do to be saved?"  Reward and punishment are the driving forces behind moral action.  

Christianity is characterized by the negation of the world and of life.  

Death is God's curse and punishment.  

Christianity is characterized by the concept of mediation.  

Christianity is international.  Christianity is characterized by intolerance that stands in stark contrast to the Christian principle of loving one's enemies.»

_________________________

Source: 

BArch RS 3-12/45 SS panzer division Hitlerjugend Vorträge für die weltanschaulichen Erziehung p.14-16

https://invenio.bundesarchiv.de/invenio/main.xhtml

https://t.me/NSHeathenry

Raise the Flag of Revolt

 "𝘛𝘩𝘦 𝘞𝘦𝘴𝘵 𝘩𝘢𝘥 𝘵𝘶𝘳𝘯𝘦𝘥 𝘪𝘯𝘵𝘰 ‘𝘢𝘯 𝘪𝘮𝘮𝘦𝘯𝘴𝘦 𝘑𝘦𝘸𝘪𝘴𝘩 𝘣𝘢𝘯𝘬 𝘴𝘦𝘳𝘷𝘪𝘯𝘨 𝘵𝘩𝘦 𝘳𝘶𝘵𝘩𝘭𝘦𝘴𝘴 𝘵𝘳𝘢𝘯𝘴𝘢𝘵𝘭𝘢𝘯𝘵𝘪𝘤 𝘱𝘭𝘶𝘵𝘰𝘤𝘳𝘢𝘤𝘺.’ 𝘖𝘶𝘳 𝘓𝘦𝘢𝘨𝘶𝘦 𝘰𝘧 𝘍𝘪𝘶𝘮𝘦, 𝘧𝘰𝘳𝘨𝘦𝘥 𝘰𝘶𝘵 𝘰𝘧 𝘵𝘩𝘦 𝘸𝘪𝘭𝘭 𝘰𝘧 𝘢𝘭𝘭 𝘵𝘩𝘦 𝘴𝘱𝘪𝘳𝘪𝘵𝘴 𝘵𝘩𝘢𝘵 𝘺𝘦𝘢𝘳𝘯 𝘧𝘰𝘳 𝘵𝘩𝘦 𝘭𝘪𝘣𝘦𝘳𝘵𝘺 𝘰𝘧 𝘢𝘭𝘭 𝘱𝘦𝘰𝘱𝘭𝘦 𝘮𝘢𝘯𝘨𝘭𝘦𝘥 𝘣𝘺 𝘪𝘯𝘫𝘶𝘴𝘵𝘪𝘤𝘦 𝘢𝘯𝘥 𝘰𝘱𝘱𝘳𝘦𝘴𝘴𝘪𝘰𝘯, 𝘸𝘪𝘭𝘭 𝘳𝘢𝘪𝘴𝘦 𝘵𝘩𝘦 𝘧𝘭𝘢𝘨 𝘰𝘧 𝘳𝘦𝘷𝘰𝘭𝘵 𝘢𝘨𝘢𝘪𝘯𝘴𝘵 𝘵𝘩𝘦 𝘓𝘦𝘢𝘨𝘶𝘦 𝘰𝘧 𝘕𝘢𝘵𝘪𝘰𝘯𝘴."

— 𝗚𝗮𝗯𝗿𝗶𝗲𝗹𝗲 𝗗’𝗔𝗻𝗻𝘂𝗻𝘇𝗶𝗼, 𝘍𝘪𝘶𝘮𝘦 𝘱𝘳𝘰𝘱𝘢𝘨𝘢𝘯𝘥𝘢 𝘢𝘯𝘥 𝘴𝘱𝘦𝘦𝘤𝘩𝘦𝘴 (1919–1920), 𝘪𝘯𝘤𝘭𝘶𝘥𝘪𝘯𝘨 𝘳𝘦𝘧𝘦𝘳𝘦𝘯𝘤𝘦𝘴 𝘪𝘯 '𝘓’𝘢𝘭𝘢 𝘥’𝘐𝘵𝘢𝘭𝘪𝘢 è 𝘭𝘪𝘣𝘦𝘳𝘢𝘵𝘢' (𝘑𝘶𝘭𝘺 9, 1919), 𝘪𝘯 𝘓𝘢 𝘱𝘦𝘯𝘶𝘭𝘵𝘪𝘮𝘢 𝘷𝘦𝘯𝘵𝘶𝘳𝘢, 𝘦𝘥. 𝘋𝘦 𝘍𝘦𝘭𝘪𝘤𝘦 (1974).

The worker in a capitalist state

“The worker in a capitalist state — and that is his deepest misfortune — is no longer a living human being, a creator, a maker. He has become a machine. A number, a cog in a machine without sense or understanding. He is alienated from what he produces.”

- Joseph Goebbels

Responsible for their decline

"It is the White peoples themselves who are responsible for their decline, by refusing to reproduce, by organizing on their own land the massive arrival of foreigners, paralyzed not by a superior physical force but by ideologies."

— Guillaume Faye

Christian faith is a sacrifice

“From the start, the Christian faith is a sacrifice: a sacrifice of all freedom, all pride, all self-confidence of the spirit; at the same time, enslavement and self-mockery, self-mutilation.”

— Friedrich Nietzsche, Beyond Good And Evil

Capitalist Democracy

“The money pigs of capitalist democracy: Money has made slaves of us. Money is the curse of mankind. It smothers the seed of everything great and good. Every penny is sticky with sweat and blood.”

- Joseph Goebbels

Responsibility for the Future

In October 1923, before the Beer Hall Putsch, Göring sent a letter to his wife Carin’s mother. 

Göring wrote:

"Times here are gloomy now. Hardship and struggle hang over my Germany. And the hour when we must take responsibility for the future is not far away”

Race of the Body and Spirit

“The race is a deep form which manifests itself just as much in the corporeal domain (race of the body) as in the animico-spiritual domain (inner race, race of the spirit). In the full sense of the word, racial purity exists when these two manifestations coincide, that is, when the race of the body is in accordance with the race of the spirit, or internal race, and able to serve it as the most adequate organ of expression.”

- Julius Evola

Mission and Superiority

“A Nation shows that it is dying when it ceases to believe in its Mission and its Superiority.”  

— Francis Parker Yockey, The Enemy of Europe

The Primitive Instincts

“Gathered like a pack, they trembled around the one who knew how to awaken in their numb blood the primitive instincts of the chase and the carnage.”

- Gabriele D’Annunzio (Trionfo della morte)

Citizen Vigilante: The Political Message of a Vigilante Story That Went Viral

The film Citizen Vigilante, shot in Croatia with screenplay, direction, and production by the German filmmaker Uwe Boll, is undoubtedly the viral cinematic and political event of these days.

A decisive role in this development was played by Elon Musk’s decision to post the film’s link on his account on the X platform. The film is now circulating for free after the German authorities refused to give it an age rating — effectively banning its theatrical release — citing “the promotion of vigilantism and its focus on crime linked to the uncontrolled migration flows in Europe.”

This move turned the film’s release into a major online phenomenon and sparked countless discussions, analyses, and comments.

For those who haven’t seen it yet, the film is an action thriller that tells the story of a wealthy American heir and former soldier who uses his resources and skills in a self-appointed crusade of revenge and justice against gangs of murderers, rapists, blackmailers, and corrupt public officials. What sets it apart from any other modern film of the genre is that the vast majority of the perpetrators who receive punishment from the protagonist belong to the ranks of (illegal) immigrants who have flooded Europe — exactly as happens in reality. The screenwriter openly highlights his disapproval of European migration policy in multiple scenes, to such an extent that the film can be described as politically committed. Additionally, it directly raises questions about the functioning and delivery of justice, corruption, the detachment of the ruling elites, and the control of the masses through fear and indifference.

All these elements form a very promising recipe for a satisfying cinematic result, especially within today’s “inclusive” Hollywood environment, where Helen of Troy must be portrayed as African in order “to meet the Oscar nomination quotas.” Given these circumstances, those who watched the film reached conclusions while wearing their ideological glasses — and that is simply the result of our deeply polarized social reality.

In the case of the writer, watching Citizen Vigilante provoked reflection that ultimately prevailed over the feeling of emotional satisfaction triggered by certain scenes of justice and specific lines delivered by the protagonist.

First of all, the sloppiness and poor aesthetic quality in the storytelling and in several scenes are reminiscent of American B-movies — the kind that flooded the market on VHS in the late ’80s and early ’90s. This could easily be forgiven if it didn’t ultimately undermine the sanctity and tragedy of vigilantism, which is the film’s central theme.

On a cinematic level, many works have elevated vigilantism in various ways — with Taxi Driver perhaps at the top, along with Death Wish, Dirty Harry, and even The Other Me (Έτερος Εγώ). In contrast, in Citizen Vigilante the protagonist is a sterilized, detached ultra-wealthy man — just as detached as the ruling elites he criticizes — who offers to dispense justice in a didactic tone of superiority on behalf of people with whom he appears to have no real connection.

Moreover, he is portrayed as an unlikeable employer who treats his employees in the best case condescendingly, and as a landlord who has no problem renting out his building as a brothel or using its services himself, as long as the prostitutes air out the place so it doesn’t get moldy.

This shallow and tasteless persona, despite the theoretically noble background of his actions, ends up resembling a caricature of Elon Musk himself — cast as an American-style superhero — rather than living up to the expectations the film cultivated by attacking the cinematic establishment with its subject matter.

By taking such a clear political stance in the script, it is perfectly logical that additional questions and reflections arise that go beyond the artistic result. It is worth noting that without the censorship and Musk’s boost, the film would have passed under the radar.

A key question is why the screenwriter, while clearly identifying the pattern of rising crime in Europe due to the mass influx of foreigners and Islamists and not hesitating to highlight it, completely avoids any similar reference to the origins of business and governmental elites on a global level, or to scandals like Epstein. Instead, the criticism of the elites remains superficial and vague — essentially on the level of “they’re not doing their job well.”

Furthermore, a major issue arises from the protagonist’s recorded message in which he says:

“I am here to help you regain that control. I am here to show you that you are no longer victims. I am here to show you that the time has come to go out and show them (…) that they won’t get away with it anymore. Remember: I’m doing this for you… until you learn to do it yourself.”

At this point, the question is whether the story of Citizen Vigilante promotes the message of training, self-improvement, activism, study, and solidarity as means of defense against victimization. The answer, unfortunately, is no. On the contrary, it seems to promote the idea that the solution is detached cowboy justice — an unorganized, disconnected, personal act of vanity that can only achieve giving justification for even more and harsher police control. And perhaps this is also the reason why this film was promoted so heavily.

Nevertheless, even just for certain scenes and certain lines, it is worth watching Citizen Vigilante. Just as the memes it inspired (and will continue to inspire), along with the reactions and comments of those who were politically and emotionally affected, are certainly worth it.

Unfortunately, what is becoming increasingly clear to those who can perceive it is the feeling that the game is completely rigged.

Christos Karanikopoulos

https://anaktisi-mag.gr/

Achtung Juden – Shadow Army

Achtung Juden – Shadow Army

This uncompromising album (lyrics and pictures) with the spirit of the 90s and 2000s, delivered by this American R.A.C. band.

10 tracks in English (over 44 minutes), including 3 covers songs of No Remorse (1996–2012 era).

You have been warned.

www.europa-records.com

Benito Mussolini about Sacrifice

Dreamers of the Day

"All men dream: but not equally. Those who dream by night in the dusty recesses of their minds wake in the day to find that it was vanity: but the dreamers of the day are dangerous men, for they may act their dream with open eyes, to make it possible."

— Lawrence of Arabia

The Riddle of Steel

Arnold Schwarzenegger about the Riddle of Steel (1983 interview during the shooting of Conan II (working title) The Destroyer)

Reconquest

 

Symbol and Manifest of Resistance

Symbol and Manifest of Resistance

Will, Inspiration and Divine Power – all of this is associated with the lightning bolt. Through its jagged form alone, the Lightning Wheel sends the command to pay attention. A steely symbol for the steely movement, which is deeply rooted in the myths of Europe. Zeus, son of Kronos, used the lightning bolt to punish the hubris of men. The Roman Jupiter is known as the one who hurls lightning bolts, while in Norse mythology Thor with his hammer Mjölnir flings the gleaming messengers of the gods. The lightning bolt is a multi-layered symbol that embodies not only destruction, but equally creative power and the energy of life.

One of the great scourges of modernity in the Western world is guilt. It is like an eternally hungry parasite that, in ever-changing form, infests the hearts of white people and develops its destructive power. The mental immune system weakens and the most diverse guilt complexes penetrate our subconscious and create toxic relationships between people. Every form of so-called guilt hangs like chains on our limbs, constricts us and robs us of the air to breathe. These implanted and self-destructive ideas are, upon closer inspection, nothing more than tools to control and subjugate us more easily. This must be recognized and the negative influence neutralized. It is not even necessary to deal with every single guilt complex and grant it our precious attention. It is more energy-efficient to internalize a fundamental and radical rejection of the idea that something like collective guilt even exists. This guilt is for us nothing more than an unjust offer, a social construct, which we fundamentally reject. Instead, we oppose it with the responsibility of our own actions and focus on the creative and positive aspects of our history. Only from there does true strength arise.

To the destructive forces of our enemies we oppose this gleaming symbol. It is a symbol and at the same time a manifesto against the enslavement of the spirit, which is always followed by the enslavement of the flesh with bowed heads. Look around and you will see it. We often feel small and insignificant in this ocean of hatred, ignorance and indifference. Yet in this darkness the will to action manifests itself and all fears flee before the rays of the Lightning Wheel, just as the morning mist gives way to the rising sun. From the deepest conviction we wear a high and knightly armor of Intolerance around our spirit. We restore the balance that has been disturbed by egalitarian dogmas and life-hostile ideas and which, in an unnatural way, have deeply shaken the foundations of our existence. We are the heralds of the Twilight of the Gods and from the adversities that our opponents place in our path, we build our State of Steel. This knowledge leads us to a clearly and distinctly formulated oath, which will be our daily motto:

We do not obey the enemy!

We serve no guilt!

We tolerate no chains!

Hail to the Lightning Wheel!

For only the weak are sent by the easy path.

Stahlgewitter - 'Staat Aus Stahl' statement

Death has become my friend

"Death has become my friend; it no longer frightens me. Death is a grace from God for those who have suffered too much. Rather than endure such a situation, it is a thousand times better to die." 

— Benito Mussolini

Aage H. Andersen (1892-1968)

Aage H. Andersen (1892-1968) was a famous Danish politician, journalist and publisher. From 1939 until May 1943 he published the newspaper 'Battle Sign' (Kamptegnet), which used many articles and art from the German newspaper Der Stürmer. After the closing of Kamptegnet Andersen became the editor of the newspaper Racial Service (Rastjänsten), from December 1943 to December 1944. Andersen also published a handful of books on the Jews and their schemes for world domination. After the war, on August 19, 1947, the Allies sentenced Andersen to eight years in prison. Being a journalist, author and patriot were his 'crimes', such is the false democracy peddled in this world. 

Newspaper Above: 'Den mørke Middelalder' translates as 'The Dark Middle Ages'.

Newspaper Below: 'Det Staar I Talmud' translates as 'It's in the Talmud - the Jews Criminal Secret'.

Alternative History 2039