Sunday, March 29, 2020

Sun - This Majestic Ruler

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"Not even the most recent scientific discoveries…which teach us how we live, and move, and have our being in the sun, how we burn it, how we breathe it, how we feed on it - give us any idea of what this source of light and life, this silent traveller, this majestic ruler, this departing friend or dying hero, in his daily or yearly course, was to the awakening consciousness of mankind. People wonder why so much of the old mythology, the daily talk, of the Aryans, was solar: - what else could it have been?"
— Friedrich Max Müller

Saturday, March 28, 2020

If the Italians revolt they will have Forza Nuova on their side

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"We are living in a dictatorship because of a health issue and if the Italians revolt they will have Forza Nuova on their side".

"In an atmosphere of terror from the Internet police, Facebook, and with Zuckerberg warning us, his kindness, that he is going to shut down social networks, the deep state wants to impose fear on the Italians through the official media, preparing for the coming of the Draghi banker government, a so-called national unity government. "

"For us, this is certainly not the country 's government of salvation, but the doctor who can only sign Italy' s death certificate. Hunger is already a reality and protests are beginning. Conte or Draghi are sides of the same coin, of a dictatorship on the occasion of the epidemic that must be denounced and to fight against it with all our might ... "

Roberto Fiore to «Financial Times»

Friends of The Gods... Enemies to the World

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Take one step towards the Gods and they will take ten steps towards you.
— Mythologist Joseph Campbell

Thursday, March 26, 2020

WEWELSSBURG - Our Reich is Eternal

https://www.youtube.com/watch?v=o5_XDZw45FA

From the upcoming "Subterranean Gestation of the Glorious New Era" MCD. Haunting and majestic Vinlandic Black Metal.

Wednesday, March 25, 2020

25 March 1821: the Fight against the Ottoman threat Goes on!

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The English correspondant of "London Times", James Emerson, wrote about the Greeks of 1821:
"You come upon many examples of ancient folkways. In every step you seesome something that reminds you that you are in Greece. The language, the customs, the character of the Greeks, are all the same as they were in the times of Demosthenes. Even their clothing seems to not have changed at all. They have the same brown wavy long hair as the brown-haired( καρηκομοωντες) heroes of Homeros. The long skirt, the blade and the fully embroidered legging protectors, show that today's Greeks are the same as the "good-legging" Acheans(ευκνημιδες Αχαιοι).
Source: "The Miracle of 21"

Tuesday, March 24, 2020

Albert Uderzo (1927-2020) - Rest in Peace

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Asterix co-creator Albert Uderzo dies at 92. Asterix was a very important part of my childhood, a part of my life that never ended inside me. René Goscinny and Albert Uderzo, fathers of the indomitable Gauls, thank you for everything. The small village will never surrender... 

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Jew says Asterix is not multi-culti enough (even if René Goscinny was a Jew):


The Gaul of it! Asterix too French, says watchdog


He is the moustached crusader bravely defending the customs of ancient Gaul from stereotyped foreigners - from Brits who drink hot water with a dash of milk to the militaristic Germans and the short Portuguese.
He has ribbed the Corsicans for being work-shy, violent and producing explosively smelly cheese, and Normandy villagers for lathering their food with cream. But now it seems that Asterix the Gaul is just too much of a "Gaul" for modern, multicultural France.

The belligerent hero is in a scrape over a new project illustrating the text of the UN charter for children's rights. When the illustrator, Albert Uderzo, celebrated his 80th birthday by offering Asterix's services to promote children's rights, France's children's ombudsman was delighted. The adventures of the magic potion-fuelled patriot have been read by three-quarters of French people.

The UN charter was duly illustrated with Asterix and his sidekick, Obelix, informing the children of Gaul of their rights in cartoons, including a bunch of children with black eyes patiently listening while they are told not to fight each other like barbarians.

But Jean-Pierre Rozenczveig, of Defence for Children International, complained that Asterix and his "Gaulish vision" were not representative of a modern, multicultural society. He said the hero "resisting the invaders" was a bad choice to defend a France "aspiring to a happy and peaceful coexistence of all its diverse groups".

The Gauls show no sign of surrender. The ombudsman, Dominique Versini, dismissed the row as a "storm in a tea-cup".

https://www.theguardian.com/world/2007/may/31/france.angeliquechrisafis

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Monday, March 23, 2020

I ought to have died at Waterloo

[caption id="attachment_10134" align="aligncenter" width="450"]dbfe2baf002cae12059bc7aa604a80b8 Napoleon at the Battle of Waterloo by Howard David Johnson.[/caption]

“I ought to have died at Waterloo; perhaps a little earlier. Had I died at Moscow I should probably have had the reputation of the greatest conqueror the world has ever known. I ought to have died at Waterloo; but the misfortune is, that when a man seeks the most for death he cannot find it. Men were killed around me, before, behind, everywhere, but no bullet for me.”
—Napoleon Bonaparte

[caption id="attachment_10136" align="aligncenter" width="600"]Napoleons_retreat_from_moscow Adolph Northen ~ Napoleon's retreat from Moscow[/caption]

Saturday, March 21, 2020

A Soundtrack to Thulê

https://www.youtube.com/watch?v=wUumNIU08jo

"Thulêan Mysteries was made passively, in the sense that I never intended to make a new album; I just made music every now and then and at one point realized that I actually had enough to release it all on an album. When asked to do so I figured: why not? It was a good idea. The music is a little bit of this and a little bit of that, transcending any genre, and perhaps belonging to many different genres. The intention with it was always to create a certain atmosphere, often related to an idea or a situation. Since my true passion has never been music, but actually tabletop role-playing games, I figured I should make this an album intended for that use; as background music for my own MYFAROG (Mythic Fantasy Role-playing Game). Hopefully you will get a sense of Thulê when you listen to this, like always with Burzum, ideally when on your own. I hope you will enjoy this soundtrack to Thulê, to Mother Nature and life itself" – Varg Vikernes

Nemesis

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Nemesis By H. P. Lovecraft

Thro’ the ghoul-guarded gateways of slumber,
          Past the wan-moon’d abysses of night,
     I have liv’d o’er my lives without number,
          I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.

     I have whirl’d with the earth at the dawning,
          When the sky was a vaporous flame;
     I have seen the dark universe yawning,
          Where the black planets roll without aim;
Where they roll in their horror unheeded, without knowledge or lustre or name.

     I had drifted o’er seas without ending,
          Under sinister grey-clouded skies
     That the many-fork’d lightning is rending,
          That resound with hysterical cries;
With the moans of invisible daemons that out of the green waters rise.

     I have plung’d like a deer thro’ the arches
          Of the hoary primordial grove,
     Where the oaks feel the presence that marches
          And stalks on where no spirit dares rove;
And I flee from a thing that surrounds me, and leers thro’ dead branches above.

     I have stumbled by cave-ridden mountains
          That rise barren and bleak from the plain,
     I have drunk of the fog-foetid fountains
          That ooze down to the marsh and the main;
And in hot cursed tarns I have seen things I care not to gaze on again.

     I have scann’d the vast ivy-clad palace,
          I have trod its untenanted hall,
     Where the moon writhing up from the valleys
          Shews the tapestried things on the wall;
Strange figures discordantly woven, which I cannot endure to recall.

     I have peer’d from the casement in wonder
          At the mouldering meadows around,
     At the many-roof’d village laid under
          The curse of a grave-girdled ground;
And from rows of white urn-carven marble I listen intently for sound.

     I have haunted the tombs of the ages,
          I have flown on the pinions of fear
     Where the smoke-belching Erebus rages,
          Where the jokulls loom snow-clad and drear:
And in realms where the sun of the desert consumes what it never can cheer.

     I was old when the Pharaohs first mounted
          The jewel-deck’d throne by the Nile;
     I was old in those epochs uncounted
          When I, and I only, was vile;
And Man, yet untainted and happy, dwelt in bliss on the far Arctic isle.

     Oh, great was the sin of my spirit,
          And great is the reach of its doom;
     Not the pity of Heaven can cheer it,
          Nor can respite be found in the tomb:
Down the infinite aeons come beating the wings of unmerciful gloom.

     Thro’ the ghoul-guarded gateways of slumber,
          Past the wan-moon’d abysses of night,
     I have liv’d o’er my lives without number,
          I have sounded all things with my sight;
And I struggle and shriek ere the daybreak, being driven to madness with fright.