Monday, July 10, 2017

Revilo P. Oliver quote about the Middle Ages

[caption id="attachment_3019" align="alignnone" width="641"]Urwick, Walter Chamberlain, 1864-1943; Henry Urwick (1859-1931), as Shylock Henry Urwick (1859–1931), as Shylock[/caption]

"Another great hoax is the endless whining by the Jews that they were “persecuted” during the Middle Ages, when the Church gave them a virtual monopoly of usury, sorcery, and international trade; when they spun financial webs about kings and noblemen and most rulers were attended by skilled Jewish physicians, always spies and potentially executioners; when the Jews exercised such political, intellectual, and economic power that, as Bernard S. Bachrach has shown in his Early Medieval Jewish Policy in Western Europe (University of Minnesota, 1977), out of the 98 rulers whose policies he examines in detail, 88 (including Charlemagne) had to pursue pro-Jewish policies, while the ten who attempted to oppose the aliens in their domains went down to failure in one way or another; when the Jews could usually count on royal or ecclesiastical protection whenever their depredations excited local resentment so strong that it became violent; when even the famous and belated expulsion of Jews from England and Spain overlooked those who thought it worth while to have themselves sprinkled with holy water; and when the Church itself was a great ladder by which marranos climbed to power and wealth."

– REVILO P. OLIVER, ‘WESTERN MAN MUST ASSERT HIMSELF OR PERISH’, 1979

Sunday, July 9, 2017

No apologies - No regrets

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Leibstandarte - Hellenic old-school Hatecore/Thrash!

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Leibstandarte – Faith Masters Destiny Mini CD out now by Das Zeughaus. Four old-school NS Hatecore/Thrash tracks in the vein of IRON YOUTH!

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http://das-zeughaus.com

https://www.youtube.com/watch?v=XX6_mkG65Lc

 

Saturday, July 8, 2017

Hofbräuhaus

[caption id="attachment_2991" align="aligncenter" width="600"]800px-München_Hofbräuhaus_Postcard_late_19th_century München Hofbräuhaus Postcard late 19th century[/caption]

The Hofbräuhaus at Platzl 9, is a beer hall in Munich originally built in 1589 by Bavarian Duke Maximilian I. Everything but the ground floor was destroyed in the bombing during WWII; it was not rebuilt until 1958. From 1930 to 1945 the innkeeper of the Hofbräuhaus was Hans Bacherln. When the Hofbräuhaus celebrated its 350th anniversary in 1939, the Hofbräuhaus officially ceased to be known as ‘Königliches Hofbräuhaus’ and hence forth was known as the ‘Staatliches Hofbräuhaus’.

Hitler's Hofbräu speech and the founding of the NSDAP
Hitler gave his first speech in the Hofbräukeller on 16 October 1919. On 24 February 1920, he organised the biggest meeting at the Hofbräuhaus yet, with over 2,000 people in attendance. It was in this speech that Hitler, for the first time, enunciated the twenty-five points of the German Workers' Party manifesto: abrogation of The Treaty of Versailles, a Greater Germany, Eastern expansion, exclusion of Jews from citizenship, confiscation of war profits, the distribution of the State’s profits of land, and the necessity to seize land for national needs without compensation.
On the same day, the DAP changed its name to the NSDAP, the Nationalsozialistische Deutsche Arbeiterpartei (National Socialist German Workers Party).
Every year after that, on 24 February, the Nazis held their annual celebration at the Hofbräuhaus.

The Hofbräuhaus-Battle/ the birth of the SA
On 4 November 1921, at the Hofbräuhaus in Munich, Hitler spoke to a crowd (2000 men) filled with opposition, including the SPD, the Social Democrats. A fight broke out over the issue of an assassination attempt on Erhard Auer, an SPD spokesperson. A full-scale brawl ('Schlacht') followed. The socialists in the audience attacked the SA men with beer mugs they had hidden under the tables as ammunition.  Rudolf Hess, who received a skull-base fracture at this occasion, took a leadership role in this fight. Hitler later idealized this scene in Mein Kampf as the ‘baptism of fire’ of his SA men, who were triumphant in the fight despite being outnumbered 50 to 400. At the beginning of Chapter VI he wrote: ‘During that period the hall of the Hofbräu Haus in Munich acquired for us, National Socialists, a sort of mistic significance. Every week there was a meeting, almost always in that hall, and each time the hall was better filled than on the former occasion, and our public more attentive’. 'Deutschland Erwacht' writes in 1933 about the Hofbräuhaus-fight: 'Dies war die Geburtsstunde der Sturmabteilung' ('the fight is considered to mark the birth of the SA').

Below, the well-known painting 'Saalschacht', by Felix Albrecht. Portrayed on numerous posters and postcards. Also depicted in the book 'Deutschand Erwache', page 57.  

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The Nazis celebrated the day of the NSDAP-founding every year on February 24, at the Hofbräuhaus.

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Left: Adolf Hitler speaking in the Hofbräuhaus on February 24, 1940, the twentieth anniversary of the formation of the NSDAP. The plaque commemorating his speech at February 24, 1920, can be seen behind the ‘blood flag’ behind him (photo: Süddeutsche Zeitung).
Right: close-up from the commemorative plaque (photo: Bayerische StaatsBibliothek, München).

[gallery ids="2987,2986" type="rectangular"]

The Nazis celebrated the day of the NSDAP-founding every year on February 24, at the Hofbräuhaus.
Left: Adolf Hitler speaking in the Hofbräuhaus on February 24, 1940, the twentieth anniversary of the NSDAP.
Right: Adolf Hitler speaking in the Hofbräushaus on February 24, 1941, the twenty-first anniversary of the formation of the NSDAP (photos: Bayerische StaatsBibliothek, München).

http://www.germanartgallery.eu/

The Power of the Will

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"I need brutal people, ready for consistent action rooted in their consciousness, for healthy, natural action compatible with the primitive side of brutality, the power of will."

Adolf Hitler 1941

Thursday, July 6, 2017

Light coming out of Darkness

[caption id="attachment_2956" align="aligncenter" width="470"]Henry Prellwitz, Moonlight Ring, ca. 1910 Henry Prellwitz, Moonlight Ring, ca. 1910[/caption]

“It was lunar symbolism that enabled man to relate and connect such heterogeneous things as: birth, becoming, death, and ressurection; the waters, plants, woman, fecundity, and immortality; the cosmic darkness, prenatal existence, and life after death, followed by the rebirth of the lunar type (“light coming out of darkness”); weaving, the symbol of the “thread of life,” fate, temporality, and death; and yet others. In general most of the ideas of cycle, dualism, polarity, opposition, conflict, but also of reconciliation of contraries, of coincidentia oppositorum, were either discovered or clarified by virtue of lunar symbolism. We may even speak of a metaphysics of the moon, in the sense of a consistent system of “truths” relating to the mode of being peculiar to living creatures, to everything in the cosmos that shares in life, that is, in becoming, growth and waning, death and ressurrection.”

Mircea Eliade, The Sacred and the Profane: The Nature of Religion

The Hour of Decision

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The following is an excerpt from Oswald Spengler’s “The Hour of Decision,” 1933. Large paragraphs have been divided for easier readability.

A note from The White Tribe:
Please make a careful observation of the population numbers which Spengler has described, and understand that these numbers are now almost a hundred years old. An extrapolation can be made about current demographics in White nations, from which inferences about the direness of our situation must arise. White decline is not new to our century; Spengler himself here writes about it occurring, but by all accounts it must have been happening since even before his day.


But the decay of the white family, the inevitable outcome of megalopolitan existence, is spreading, and it is devouring the “race” of nations. The meaning of man and wife, the will to perpetuity, is being lost. People live for themselves alone, not for future generations. The nation as society, once the organic web of its families, threatens to dissolve, from the city outwards, into a sum of private atoms, of which each is intent on extracting from his own and other lives the maximum of amusement — panem et circenses.

The women’s emancipation of Ibsen’s time wanted, not freedom from the husband, but freedom from the child, from the burden of children, just as men’s emancipation in the same period signified freedom from the duties towards family, nation, and State. The whole of Liberal-Socialistic problem-literature revolves about this suicide of the white race.

The consequences lie before us. The colored races of the world have up till now been twice as strong numerically as the white. But about 1930 Russia had an annual excess of births of four million, Japan of two million; and India, between 1921 and 1931, increased her population by thirty-four million. In Africa the extraordinarily prolific Negro population will increase still more enormously now that European medicine has been introduced to check disease, which was so strong a selective factor.

In contrast to this, Germany and Italy have a surplus of births of less than half a million, England — the country of publicly encouraged birth control — less than half this amount, and France and the old-established Yankee element in the United States none at all.  (This applies equally to the white element in South Africa and Australia.) This Yankee element, until now the dominant “race” of Germanic stamp, has been rapidly dwindling for some decades. The increase of population comes entirely from the side of the Negroes and emigrants since 1900.

In France some provinces have lost over a third of their population in the last fifty years. In certain cases the birth-rate is only half the death-rate. There are small towns and villages which are almost empty. From the South there is an influx of Catalonians and Italians as land-workers. Poles and Negroes are found in every grade, even the middle classes. There are black clergymen, officers, and judges. It is these prolific immigrants, accounting for a tenth of the population, who alone keep the number of “Frenchmen” up to anything approaching the old level. But the genuine Frenchman will soon be no longer master in France.

The apparent increase of the white population all over the world, little as it is in comparison with the volume of the colored increase, rests upon a temporary illusion: the number of children grows ever smaller, and only the number of adults increases, not because there are more of them, but because they live longer.

But a strong race requires not only an inexhaustible birth-rate, but also a severe selection process, which is provided by the resistances to living represented by misfortune, sickness, and war.

Nineteenth-century medicine, a true product of Rationalism, is from this point of view also a phenomenon of age. It prolongs each life whether this is desirable or no. It prolongs even death. It replaces the number of children by the number of greybeards. It promotes the world outlook of panem et circenses by estimating the value of life by the number of its days, not by their usefulness. It prevents the natural process of selection, and thereby accentuates the decay of the race.

The number of incurable mental cases in England and Wales has increased during twenty years from 4.6 to 8.6 per thousand. In Germany the number of the feeble-minded is almost half a million, in the United States over a million. According to a report sponsored by ex-President Hoover, the youth of America has a record of 1,360,000 with hearing impaired or “so defective in speech that they require remedial treatment and training,” 1,000,000 with “weak or damaged hearts,” 675,000 presenting “behavior problems,” 450,000 “mentally retarded to such a degree that they require special education,” 300,000 cripples, and 60,000 “blind or in need of sight-saving instruction.”

But added to these are the terrible numbers of abnormal people of every description, mental, spiritual, and physical: the hysterical, moral, and nerve cases who neither want nor can bear healthy children. Their number is unobtainable, but we can gauge it by the number of doctors who live by them and the mass of books that are written about them. From this degenerate crop comes the revolutionary proletariat, with its hatred born of grievances, and the drawing-room Bolshevism of the aesthetes and literary folk, who enjoy and advertise the attractiveness of such states of mind.

It is a well-known fact that important persons are seldom first children and almost never only ones. The marriage that is poor in offspring is a menace not only to the quantity but to the quality of the race.

What a nation needs quite as badly as a healthy race is the existence of an élite to lead it. But an élite such as that formed by the overseas civil service in England and the officer-corps in Prussia — or, for that matter, the Catholic Church — which unwaveringly, and in total disregard of money or origins, upheld its ethic and made good in difficult situations, becomes impossible when the available material rises nowhere above the average.

Life’s selection must have taken precedence of it; only then can the class selection take place. A strong stock demands strong parents. Something of the barbarism of the past ages must still be present in the blood beneath the strict form of an old Culture, ready to surge up in difficult times, to save and to conquer.

https://thewhitetribe.tumblr.com

Tuesday, July 4, 2017

The lonely path to Victory

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"One must work in solitude as a man who opens a clearing in virgin forest, sustained by the unique hope that somewhere in its depths, others are working to the same end."

-Ernst Jünger

COMING THIS FALL FROM DOOMSDAY ELITE:

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This massive, 5-way, Nationalistic-themed, anti-migrant split release will feature 2-3 of the most hateful and pride-filled songs from each of the five bands, with two panels of the layout being dedicated to each horde. W.A.R. without end....

Sunday, July 2, 2017

Nicholas Roerich and the Search for Shambhala



[caption id="attachment_2835" align="aligncenter" width="615"]Roerich_Buddha_the_Conqueror_painting_featured Nicholas Roerich, “Krishna. Spring in Kulu.” Kulu Series, 1930[/caption]

We are currently living in the Kali Yuga and a new Golden Age won’t begin for about 427,000 years. However, mini-Golden Ages will occur within the current Dark Age. Sri Dharma Pravartaka Acharya (Sri Acharyaji) said that a mini-Golden Age would begin around 2012-2013, corresponding with the new age marked by the end of the Mayan calendar (1). And when Nicholas Roerich traveled through Asia in the 1920s, he encountered many lamas who said that the time of Shambhala was imminent.The Russian symbolist painter and explorer was fascinated (some say obsessed) with the myth of Shambhala. Shambhala has different meanings, but is most commonly seen as a legendary hidden village in Inner Asia, a place Roerich believed in literally. Others say there is an inner Shambhala, a state of enlightenment that all humanity can one day reach. The legend Roerich was most familiar with was Shambhala as an earthly link to heaven, located in a secret valley somewhere in the Himalayas. The great mahatmas of all ages reside there waiting until the time when Rigden Djapo, the ruler of Shambhala, leads his army in the final battle against the forces of evil.
After their destruction, the era of Shambhala will begin—an era marked by peace, beauty, and truth. Similarly, the Vishnu Purana describes Shambhala as the birthplace of Kalki, the final avatar of Vishnu who will usher in the next Satya Yuga (Golden Age). Krishna, who lived on the earth more than 5,100 years ago, was the eighth avatar of Vishnu, right around the start of the Kali Yuga. The most recent avatara of Vishnu was Gautama Buddha.



[caption id="attachment_2844" align="aligncenter" width="480"]Roerich_Krishna_Spring_in_Kulu_painting Nicholas Roerich, “Krishna. Spring in Kulu.” Kulu Series, 1930[/caption]

The Roerich family arrived in the port of Bombay, India, on Dec. 2, 1923, the start of many years of exploration in Central Asia. By the end of the month they were settled in the English resort town Darjeeling and marveled at the view of Kanchenjunga. They briefly lived in a house that was a site of pilgrimage due to legends that the fifth Dalai Lama had resided there. Coinciding with their journey was an important event in the myth of Shambhala—the flight of the Tashi Lama, Thubten Choekyi Nyima (the ninth Panchen Lama), from his country. In the Buddhist world, this event “was a sign that the coming of the New Era, the era of Shambhala, was at hand” (2).
In Heart of Asia: Memoirs from the Himalayas Roerich recounts many tales of Shambhala he heard on his expedition. One Tibetan lama recounted that he met a Hindu sadhu when on a tour of the holy places of India. They spoke different languages to each other yet could understand each other: “Only in the time of Shambhala shall all languages be understood without previous study because we hear and understand not the outward sound, and we see not through the physical eye but through the third eye, which you see symbolized on the forehead of our images—this is the eye of Brahma, the eye of all-seeing knowledge. In the time of Shambhala, we will not need to rely only on our physical sight. We shall be able to avail ourselves of our great inner forces” (3).


[caption id="attachment_2848" align="aligncenter" width="480"]Roerich_Dorje_the_Daring_One_paintings Nicholas Roerich, “Dorje the Daring One.” Banners of the East Series, 1924[/caption]

Throughout their journey the Roerichs met people of many different faiths who all knew a similar legend to that of Shambhala or the Golden Age. They met an old grey-bearded Moslem who spoke of Muntazar, “the Moslem symbol corresponding to the Kalki Avatar of the Hindus and to the Maitreya of the Buddhists” (4).


[caption id="attachment_2851" align="aligncenter" width="480"]Roerich_Maitreya_the_Conqueror_painting Nicholas Roerich, “Maitreya the Conqueror.” Maitreya Series, 1925-1926[/caption]

Another story involves the Tibetan teacher Tsong-Kha-Pa who helped found the Gelug school of Tibetan Buddhism. His commandments indicate that every century the Arhats attempt to enlighten the world, but so far none have been successful. It is said that “until Panchen Rinpoche (the Tashi Lama) consents to be reborn in the land of the pelings (Westerners) and, as spiritual conqueror, to destroy the age-old errors and ignorance, it will be of little use to try to uproot the misconceptions of the pelings” (5).


[caption id="attachment_2856" align="aligncenter" width="480"]Roerich_Tsong-Kha-Pa_painting Nicholas Roerich, “Tsong-Kha-Pa.” Banners of the East Series, 1924[/caption]

In his travel diary Roerich quotes extensively from the Vishnu Purana, which speaks of the end of Kali Yuga, “when barbarians will be masters of the banks of the Indus.” Of this Dark Age it states:There will be temporal monarchs, reigning over the earth, kings of churlish spirit, of violent temper, addicted to falsehood and cruelty. They will inflict death on women and children, and they will seize the property of their subjects . . . . their lives will be short, their desires insatiable. People of various countries will intermingle with them. Wealth will decrease until the world becomes wholly demoralized.

Property alone will confer rank; wealth will be the only source of devotion. Passion will be the sole bond between sexes. Perjury will be the only means of success in litigation. Women will be objects merely of sensual gratification. A rich man will be reputed pure. Fine attire will be the mark of dignity. . . .

At the end of Kali Yuga there will be mixed castes. Merciless robbers will flourish. Under cover of religion, men will preach irreligion. And the Mlechhas [barbarians], in the guise of kings, will devour men. Armed with a coat of mail and with weapons, Vishnuyasha’s son Kalki, will annihilate the Mlechhas, establish order and dignity, and lead the people on the path of truth. (6)

In the painting below, a warrior in an ancient costume sends an arrow to the Tower of Shambhala, which announces that he is headed there.



[caption id="attachment_2860" align="aligncenter" width="480"]Roerich_Shambale-Daik_Message_from_Shambhala_painting Nicholas Roerich, “Shambale Daik (Message of Shambala)” 1931[/caption]

Where is Shambhala? The earthly Shambhala is often said to be in the extreme north. Consequently, it is said that the rays of the aurora borealis are the rays of the invisible Shambhala (7). For example, Roerich’s painting Bridge of Gloryrepresents, according to Sina Fosdick, former director of the Nicholas Roerich Museum in New York: “The aurora borealis—Prof Roerich painted some of the great wonders of various countries on his travels. The Maitreya Buddha, who is being awaited by Buddhists throughout the world, will come over the bridge of glory. The second coming is linked with America” (8).

[caption id="attachment_2863" align="aligncenter" width="480"]Roerich_Bridge_of_Glory_painting Nicholas Roerich, “Bridge of Glory.” 1923[/caption]

Shooting stars are another cosmic phenomena that are seen as a sign of the imminence of Shambhala. The painting below depicts a Tibetan watching a shooting star light across the sky.

[caption id="attachment_2866" align="aligncenter" width="480"]Roerich_Star_of_the_Hero_painting Nicholas Roerich, “Star of the Hero.” 1933[/caption]

Yet another sign of Shambhala is said to be certain wonders of nature. The painting below shows hot springs and rich vegetation in the midst of barren, snowy mountains, creating a micro-climate.

[caption id="attachment_2869" align="aligncenter" width="480"]Roerich_Drops_of_Life_painting Nicholas Roerich, “Drops of Life.” Sikkim Series. 1924[/caption]

One of Roerich’s paintings shows Rigden Djapo, the ruler of the Shambhala, bringing the great scroll of the future in the Tibetan concept of Maitreya. According to Fosdick, “His waiting horsemen ride throughout the whole world carrying his messages.”

[caption id="attachment_2872" align="aligncenter" width="480"]Roerich_Command_of_Rigden_Djapo_painting Nicholas Roerich, “Command of Rigden Djapo.” 1927[/caption]

Maitreya is also alluded to in a painting of sacred caves that Roerich mentions in his travel diary. The painting shows three Mahayana Buddhist lamas who live in caves decorated with ancient frescoes. According to Fosdick, the rider on the red horse indicates that their meditation is on the coming of Maitreya.

[caption id="attachment_2876" align="aligncenter" width="640"]Roerich_Sacred-Caves_painting Nicholas Roerich, “Power of the Caves. Maitreya Series,” 1925-1926[/caption]

One rarely seen painting by Roerich is hanging in the Zanabazar Art Museum in Mongolia. When visiting Mongolia, Roerich discovered that they too believed in the imminence of the era of Shambhala. Before leaving the capital city of Ulan Bator, Roerich presented the Mongolian government with the painting below, which even though in tempura, looks very much like a traditional Buddhist tangka and also depicts Rigden Djapo (9). Photographs from the Central Asia expedition in 1927 show that Roerich’s party flew both a tangka of Shambhala and the American flag at their camps. 

[caption id="attachment_2879" align="aligncenter" width="376"]Roerich_Rudra-Chakrin_Rigden-Djapo_King-of-Shambhala_Mongolia_painting Nicholas Roerich, “Rigden Djapo—Ruler of Shambhala (The Great Horseman)”[/caption]

Mount Kailas was another subject of Roerich’s paintings. The holiest mountain in all of Asia, hermits are said to live in its caves “filling the space with their evoking calls of righteousness” (10). Just north of Mount Kailas lies Shambhala, and the painting shows three pilgrims riding through the snow on buffaloes toward a glowing monastery.

[caption id="attachment_2891" align="aligncenter" width="480"]Roerich_Path_to_Kailas_Monastery_painting Nicholas Roerich, “Path to Kailas. Monastery.” 1932[/caption]

Another legend that relates to Shambhala is that of Gesar Khan. A legendary Buddhist hero, Gesar Khan’s next incarnation will be in Northern Shambhala. He will unite with his army, destroy evil, and establish peace and prosperity throughout the entire earth.

[caption id="attachment_2895" align="aligncenter" width="480"]Roerich_Gesar_Khan_painting Nicholas Roerich, “Gesar Khan.” 1941[/caption]

The myths from so many different cultures tell the same story of the birth of a hero or god who will gather his army to conquer over darkness. The painting Warrior of Light depicts one of the warriors who will defeat the enemies of Shambhala—the vision is of a winged white warrior and his horse in the clouds, armed with Beauty and Light.

[caption id="attachment_2900" align="aligncenter" width="480"]Roerich_Warrior_of_Light_painting Nicholas Roerich, “Warrior of Light.” 1933[/caption]

Seeking the physical Shambhala was another theme Roerich explored. This painting shows three seekers descending a mountain, behind them a stone with the mantra “Om Mani Padme Hum” and “Maitreya Sangha” carved into it. In the distance are rising mountain peaks, perhaps the pathway to Shambhala.

[caption id="attachment_2903" align="aligncenter" width="480"]Roerich_Stronghold_of_the_Spirit_painting Nicholas Roerich, “Stronghold of the Spirit”[/caption]

Roerich never came across the earthly Shambhala, but in his life he did much to preserve its legacy. The Roerich Pact (The Treaty on the Protection of Artistic and Scientific Institutions and Historic Monuments) is an inter-American treaty that says the defense of cultural objects is more important than the use or destruction of that culture for military purposes. It was signed on April 15, 1935, and though it is not international law, its ideas have been influential in setting standards for cultural preservation.

Endnotes:

  1. Sri Dharma Pravartaka Acharya. Sanatana Dharma: The Eternal Natural Way. International Sanatana Dharma Society, 2015, p. 73.

  2. Decter, Jacqueline. Messenger of Beauty: The Life and Visionary Art of Nicholas RoerichPark Street Press, 1997, p. 105.

  3. Roerich, Nicholas. Heart of Asia: Memoirs from the Himalayas. Inner Traditions, 1990, p. 88.

  4. Ibid., p. 104.

  5. Ibid., p. 93.

  6. Vishnu Puranaqtd. in Roerich, p. 100.

  7. Roerich, p. 132.

  8. Archer, Kenneth. Catalogue of the Collection of Paintings and Theatrical Designs at the Nicholas Roerich Museum, New York.

  9. Decter, p. 129.

  10. qtd. in Decter, p. 157.


http://aristocratsofthesoul.com