Saturday, November 4, 2017

Greece by by J.A. McClymont (Introductory)

[caption id="attachment_5156" align="alignnone" width="1000"]INTERIOR OF THE TEMPLE OF APOLLO AT BASSÆ IN ARCADIA INTERIOR OF THE TEMPLE OF APOLLO AT BASSÆ IN ARCADIA. On the left of the picture are shown some of the columns of the eastern side of the Temple, together with the attached columns of the cella, a peculiar architectural feature of this Temple. The front (north) part of the cella was hypæthral, so the floor below the opening in the roof was slightly hollowed out—as shown in the drawing—to collect the rain-water. Mount Ithome appears between the columns of the southern end of the Temple.[/caption]

Paintings by John Fulleylove

MORE perhaps than any other country in Europe, Greece owes its charm to the traditions of a remote past. It has no lack of fine scenery, and there is much that is interesting in its modern life; but what chiefly distinguishes it from other countries is the rich and beautiful mythology which is reflected in its poetry, its art, and its philosophy, and was to a large extent the inspiration of its glorious history.

It will not be expected that any attempt should be made in these pages to give an adequate account of the artistic and architectural creations which, even in their ruins, form the chief attraction of the country. For detailed information on these matters, the reader must be left to consult such guide-books as Baedeker and Murray, or works specially devoted to archæology or art. The object of the present writer will be attained if he succeed in providing a congenial intellectual atmosphere for the scenes and objects to be presented by the artist. For this purpose it will be necessary, among other things, to recall many of the ancient legends, as well as the historical events associated with the places referred to. The history cannot be understood apart from the mythology, for the latter is a key to the religious faith as well as to the patriotic sentiment of the nation.

Opinions may differ as to the right interpretation of many of the myths, but whatever explanation we may be disposed to give of them, whether we regard them as allegorical, semi-historical, or purely poetical, they are generally full of human interest, and they were very dear to the Greeks as the embodiment of their earliest thoughts and cherished memories. Embalmed in their poetry, consecrated by their temples, and signalised by many other monuments, the Greek mythology formed for centuries the chief intellectual wealth of the nation. Even when history and philosophy had begun to make their influence felt, the old stories, dramatised by the tragic poets, still continued to fill the imagination and to occupy the attention of all classes of the people. Though Plato had a good deal to say against some of them from an ethical point of view, he did not propose in his ideal Republic to do away with them altogether, he only wished them to be so corrected and purified as to promote the interests of a sound morality and a reasonable theology.

[caption id="attachment_5160" align="alignnone" width="1000"]THE WESTERN END OF THE ACROPOLIS SEEN FROM BELOW THE PNYX THE WESTERN END OF THE ACROPOLIS SEEN FROM BELOW THE PNYX. The position of the Propylæa, the magnificent gatehouse of Pentelic marble designed by the architect Mnesicles, is admirably shown in this drawing. All the five doorways, which were closed by doors of bronze, are seen against the sky. Immediately to the left is the north wing (the Pinacotheca); to the right the bastion surmounted by the little Niké Temple. High above all rises the Parthenon. Coming down to the foreground, we may note, on the right, the great supporting wall of the Theatre of Herodes Atticus with the blue Hymettos behind it; and, to the left, the pinkish coloured rock of the Areopagus, with Lycabettos above.[/caption]

An important feature of Greek mythology was its close connection with the received genealogies. These nearly always terminated, at the upper end, in a god or a hero, after whom a family or a group of families was named, with the curious result, to our modern mind, that the shorter the pedigree the more honour it conferred upon its living representative. The public genealogies were thus an incentive both to the piety and the pride of the more influential classes, and they help to account for the reverence in which the ancient mythology was so long held by such an enlightened nation as the Greeks.

With the exception of Palestine, there is probably no country that can compare with Greece for the influence it has exerted on the life and thought of the world, in proportion to its size and population. In area it was never so large as Scotland, and its population, which is now under two millions and a half, was probably never much greater.

How far the influence of ancient Greece was due to the racial characteristics of its inhabitants, which they brought with them from other parts of the world, and how far to the peculiarities of the country itself, is a question which it is not easy to determine. To some extent, no doubt, both causes operated. The inhabitants belonged to a good stock, the Indo-Germanic, while their geographical position and surroundings were well fitted to develop a high type of manhood. The beauty of the scenery, the purity of the atmosphere, the geniality of the climate, the fertility of the plains and valleys, the grandeur of the mountains,—more numerous and widespread than in any other part of Europe of similar extent except Montenegro,—the bracing influence of the sea, and the commercial advantages afforded by its coasts, which are more extensive than those of any other country in proportion to its size, looking in the direction of Europe, Asia, and Africa—all these things no doubt helped to make the ancient Greeks the great nation that they were, though their comparative obscurity in modern times shows that something more is needed to produce a similar effect.

[caption id="attachment_5165" align="aligncenter" width="1000"]THE TEMPLE OF THESEUS FROM THE SOUTH-WEST THE TEMPLE OF THESEUS FROM THE SOUTH-WEST. The mountain dominating the Temple, to the right (east), is Lycabettos; the distant mountain to the left is Pentelikon.[/caption]

If we would form an adequate conception of the nation’s influence, we must take into account the numerous Greek colonies which were planted in Asia Minor and on the southern shore of the Black Sea, on the coast of Macedonia, along the Hellespont and Bosporus, and also in Sicily and Italy, where a new Greek world sprang up, which received the name of Magna Græcia. Hundreds of years before Athens reached the height of its glory, there was a Greek city in Italy, Cumæ (founded by colonists from Chalcis and Cymæ in Asia Minor), which held the first place in the peninsula for wealth and civilisation; while another Greek settlement was to be found as far west as Marseilles, which had been colonised from Phocæa in Asia Minor about 600 B.C.

The inhabitants of Greece in this wider sense not only spoke the same language (whose preservation was largely due to the influence of Homer), but were also bound together by fellowship in blood, in religion, and in manners. They were hardly more distinguishable from the rude and ignorant tribes of Europe than from the more civilised Orientals who practised human sacrifice, polygamy, and the mutilation of enemies. But perhaps the most marked characteristic of the Greeks was their love of local autonomy, and their rooted aversion to anything like imperial rule, such as prevailed so widely in Asia. Their attachment to an individual city, as the capital of a small district, was doubtless due in great measure to the divided nature of the country, which is broken up by mountains and rivers and arms of the sea into numberless plains and valleys only a few miles in extent. While this had the effect of fostering a spirit of independence, combined with a sense of civic obligation, which helped to develop the energies and capacities of the individual, the proximity to each other of so many rival states bred a great amount of jealousy and strife, which frequently led to bloody and destructive wars. Such disintegrating tendencies were too much even for the consolidating force of a common language and literature, or of voluntary confederations for the purpose of worship or amusement. Occasionally a great national emergency, such as the Persian invasion, might force the Greeks to join together for the resistance of a common foe, but it was almost inevitable that sooner or later they should fall into the hands of a great military power, such as Macedonia, and lose the civic liberties of which they were so proud. The political decay of Greece, however, only widened the scope of its influence. As the dissolution of the Jewish polity was followed by the rapid spread of a religion which had its roots in the Jewish Scriptures, so the national degradation of the Greeks led to a still wider diffusion of their language, their literature, and their civilisation.

[caption id="attachment_5169" align="alignnone" width="1000"]THE STREET OF TOMBS OUTSIDE THE DIPYLON (GATE) AT ATHENS THE STREET OF TOMBS OUTSIDE THE DIPYLON (GATE) AT ATHENS. One of the most remarkable tombs is that surmounted by a colossal bull in the act of charging. This statue has undergone a good deal of restoration, but it is a singularly effective piece of work when seen relieved against the sky in such a climate as that of Athens. Between this tomb and the tall shaft (stelé) surmounted by an acroterion we get a view of the Parthenon, with a storm approaching from the East.[/caption]

From the book: Greece: Painted by John Fulleylove; described by J.A. McClymont 1906

Read the whole book and see the illustrations here: here

Note: this blog doesn’t necessarily agree with everything written in this article.

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